It was the album's third single in Ireland, Italy and the United Kingdom, the fourth in Canada and the United States and the fifth in Australia, France and New Zealand. Although released on July 6, 2009, in the United Kingdom and four days later in Australia, "LoveGame" initially had been planned as the third single release in the United Kingdom but deeming its lyrics and music video potentially controversial, it was decided that "Paparazzi" would be released instead. "Paparazzi" was critically acclaimed for its fun-filled, club-friendly nature while and also became commercially successful when it reached top-ten positions in the music charts of Australia, Canada, Ireland, the United Kingdom and the United States while reaching number one in the Czech Republic and Germany.
When Ron Slomowicz from About.com referred to different interpretations of the single, Gaga responded:
Well I'm so glad there are a few different interpretations, that was the idea. The song is about a few different things – it's about my struggles, do I want fame or do I want love? It's also about wooing the paparazzi to fall in love with me. It's about the media whoring, if you will, watching ersatzes make fools of themselves to their station. It's a love song for the cameras, but it's also a love song about fame or love – can you have both, or can you only have one?
To the Australian Daily Telegraph, Gaga explained that the song was also about struggling to balance success and love. Bill Lamb from About.com concurred that "the song is a tribute of sorts to the symbiotic but ultimately fake and 'plastic' relationship between stars and their trailing paparazzi [...] who, for better or worse, are there to document and, in a sense, create the stardom."
"Paparazzi" has a similar up-tempo composition to the previous singles "Just Dance" and "Poker Face" and carries a sultry beat. The song has a moderate electro-synth groove and is in the key of C minor with a tempo of 115 beats per minute. It is set in common time, and Gaga's vocal range spans from a low-note of G3 to the high-note of E♭5. The verses follow in the chord progression of Cm–A♭–Cm and the chorus uses an A♭–E♭–Fm–D♭ progression. According to Bill Lamb of About.com, Gaga's voice is heard above these beats, seductively as if enticing the listener to the complex world of stardom. "Paparazzi" is based on slightly langorous synth textures and incorporates percussion to convey the emotions. Emotions lying in the composition range from sexual desire, dread, and resigned acknowledgment to an insistence to have fun. The lyrics of "Paparazzi" deal with stalking and the trappings of fame.
The song has been critically acclaimed by music critics. In 2011, Rolling Stone called it the second greatest Lady Gaga song ever, praising the song's theme and beat. Jill Menze of Billboard, while reviewing The Fame Ball Tour, complimented Gaga's vocals on the song by saying, "The fame-obsessed ballad 'Paparazzi' showed how adept she can be with her range." Alexis Petridis of The Guardian said that, "You may quickly tire of hearing the album's theme constantly reiterated, but the tune of 'Paparazzi' takes up residence in your brain and refuses to budge." Stephen Thomas Erlewine of Allmusic, called the song clever and said that it "functions simultaneously as glorious pop trash and a wicked parody of it." Ben Norman of About.com said that the song was one of his favorite three of the album and that it was amazing. Priya Elan of The Times thought that "even the trio of songs that provides the core of the album's celebrity theme ('Paparazzi', 'Beautiful Dirty Rich' and the title track) don't ruminate on the addictive inanity of fame, choosing instead to observe passively." Bill Lamb from About.com felt that the song was Gaga's top artistic achievement. He went on to list the symbiotic star and paparazzi relationship, the emotion behind the words and music, and the insistent vocals by Gaga as the pros of the song.
Evan Sawdey of PopMatters said that both "Paparazzi" and the earlier single "Poker Face" are comparable with the musical styles of first single "Just Dance" but added that "never once does it feel like Gaga is deliberately repeating herself; instead, her faults only come from covering territory that she's obviously not prepared for." Freedom du Lac of The Washington Post said that even though Gaga turns somewhat serious while disapprovingly singing "Paparazzi", the song comes across as flat and faceless as well as vapid. Erika Howard of the New Times Broward-Palm Beach called it the most telling track from the album. Jon Caramanica of The New York Times said that "'Paparazzi' is a love letter from camera to subject but stops short of admitting that the affection runs both ways. Any notion that Lady Gaga is sketching an elaborate stunt is stopped cold at the lyric sheet, a perverse flaunting of simplicity that betrays no cynicism whatsoever." Pitchfork Media ranked 'Paparazzi' number 83 on their list of 2009's 100 best tracks. In the United States, the song debuted on the Billboard Hot 100 at position seventy-four on the issue dated September 12, 2009. It reached a peak of six, becoming her fourth consecutive top-ten song on the chart. With the song, Gaga joined Christina Aguilera, Beyoncé, and Fergie as the only women this decade to collect four Hot 100 top-tens from a debut album. It also reached the top of Billboard's Pop Songs chart, thus making Gaga the first artist in the seventeen year history of Pop Songs chart to have her first four singles from a debut album reach the top of the chart. The song also topped the Hot Dance Club Songs chart. It has sold 3,126,000 paid digital downloads in the United States to date according to Nielsen Soundscan. It is Gaga's fourth song to top the three-million mark. "Paparazzi" debuted on the Canadian Hot 100 at number ninety-two and moved up to fifty seven the following week becoming the weeks greatest digital gainer. The song has reached a peak of three on the chart. "Paparazzi" debuted on the official Australian Singles Chart at number seventy-three on the issue dated June 1, 2009 and leaped to twenty-seven the next week. The song has peaked at number two, giving Gaga her fourth top five single in Australia. The song was certified two-times platinum by the Australian Recording Industry Association (ARIA) for shipment of 140,000 copies. In New Zealand, "Paparazzi" debuted at number twenty-three on the issue of June 22, 2009 and reached a peak of five. The song was certified gold by the Recording Industry Association of New Zealand (RIANZ) after fourteen weeks on the chart, shipping over 7,500 copies.
When Ron Slomowicz from About.com referred to different interpretations of the single, Gaga responded:
Well I'm so glad there are a few different interpretations, that was the idea. The song is about a few different things – it's about my struggles, do I want fame or do I want love? It's also about wooing the paparazzi to fall in love with me. It's about the media whoring, if you will, watching ersatzes make fools of themselves to their station. It's a love song for the cameras, but it's also a love song about fame or love – can you have both, or can you only have one?
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The song has been critically acclaimed by music critics. In 2011, Rolling Stone called it the second greatest Lady Gaga song ever, praising the song's theme and beat. Jill Menze of Billboard, while reviewing The Fame Ball Tour, complimented Gaga's vocals on the song by saying, "The fame-obsessed ballad 'Paparazzi' showed how adept she can be with her range." Alexis Petridis of The Guardian said that, "You may quickly tire of hearing the album's theme constantly reiterated, but the tune of 'Paparazzi' takes up residence in your brain and refuses to budge." Stephen Thomas Erlewine of Allmusic, called the song clever and said that it "functions simultaneously as glorious pop trash and a wicked parody of it." Ben Norman of About.com said that the song was one of his favorite three of the album and that it was amazing. Priya Elan of The Times thought that "even the trio of songs that provides the core of the album's celebrity theme ('Paparazzi', 'Beautiful Dirty Rich' and the title track) don't ruminate on the addictive inanity of fame, choosing instead to observe passively." Bill Lamb from About.com felt that the song was Gaga's top artistic achievement. He went on to list the symbiotic star and paparazzi relationship, the emotion behind the words and music, and the insistent vocals by Gaga as the pros of the song.
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